Real Health Transformations: Inspiring Strategies & Stories for Healthy, Holistic Living

Sacred Frequencies: How Music Can Transform Health and Healing | Ep 30

• Holly Jean Mullen • Season 1 • Episode 30

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What if the most powerful medicine for our bodies wasn't a pill but a frequency? When Steve Rees brought his handmade harp to play for his hemodialysis patients, something remarkable happened - blood pressures stabilized, pain medicine suddenly worked, and patients who never slept dozed peacefully. This "accidental" discovery launched Steve, a registered nurse, on a fascinating journey exploring the healing power of specific sound frequencies embedded in biblical texts.

The science behind frequency healing is compelling. The 528 Hz frequency - which Steve discovered is mathematically encoded in scripture - has been shown to transform chaotic water molecules into perfect crystalline structures. Given that our bodies are 75-80% water, the implications are profound. From emergency rooms where chaos becomes calm within minutes to Alzheimer's units where agitation transforms into peaceful dancing, the physiological effects are undeniable. Scientific studies confirm these aren't merely placebo effects - healing frequencies create measurable biological changes comparable to pharmaceutical interventions.

What makes Steve's approach unique is how he bridges science and spirituality without compromising either. By exploring the mathematical patterns in Numbers 7 and the relationship between Hebrew letters and musical notes, he's uncovered what he believes is God's "signature" embedded throughout creation - a set of frequencies that resonate with our original design. His compositions, derived from the Psalms through this ancient code, have touched thousands globally, from cancer patients managing pain to farmers whose goats no longer kick over milk buckets.

Whether you're scientifically minded or spiritually oriented, this conversation challenges conventional thinking about healing. Could the transformation we seek be less about adding something new and more about returning to our original frequency? Listen as we explore this fascinating intersection of ancient wisdom and cutting-edge science. Your perspective on sound, healing, and wholeness may never be the same.

Steve Rees

Calming Harp Ministry

Your body holds so much wisdom — stop relying on outside voices to dictate your health journey. By tuning into the signals your body is sending you, you can gain clarity and take confident steps toward healing and transformation.

I’ve created a free Body Wisdom Journal to help you do just that. Start tracking your symptoms, uncover patterns, and begin trusting your own inner guide.

Download Your Free Body Wisdom Journal Here

Remember, the answers you seek are already within you. Let’s begin this journey toward true transformation together!

© 2024 Holly Jean Mullen

Holly Mullen:

Hello and welcome back to the show. Today's conversation is inspired kind of. As I've been working with clients as a nutritional therapist, I realized that healing goes beyond diet, lifestyle, and there is an energetic component that often gets overlooked. And so my curiosity about frequencies really began when I started experimenting with light therapy a couple years ago, and then from there I connected with a local practitioner here in Oklahoma who uses like Rife therapy and more therapy does like bioresonance stuff, and that really got me thinking if pathogens have specific frequencies and respond to them, what else could be responding to frequencies? So that rabbit hole got deeper for me, and I recently came across a company that's offering something called frequency charge nutrition.

Holly Mullen:

So in that research journey is how I came across today's guest, mr Steve Reese. In that research journey is how I came across today's guest, mr Steve Reese. So Steve is a retired registered nurse and a harpist who, from what I'm understanding, discovered this profound healing of music when you began playing the harp for your patients in the hospital. So you have an incredible story and to me it was thought provoking and all this wisdom you have, and so I wanted to talk to you. I'm excited for this conversation. So welcome to the show.

Steve Rees:

Well, thank you, I'm glad to be here. Therapy we'll call.

Holly Mullen:

It is really beautiful. And I think the evolution of how you discovered the power of music and frequencies is important to hear. So why don't we start there and set the stage for the audience?

Steve Rees:

okay, well, the uh and to say that I discovered is was totally by accident. So, um, I just had an interest in thinking, seeing if I could learn to play the harp, and I made a small one. And since they were kind of expensive, I thought, well, I like woodwork, so let me make a harp. So within a year I was willing to let people hear me play it. And so I, within that time period, I was doing hemodialysis treatments, which is kidney failure, and there's usually a lag of time there. It's a three-hour treatment usually and a lot of times, if nothing's happening, it's pretty dead space there. So I thought, well, let me take the harp in and play while we sit there and watch the wheels go around, you know. So the funny thing is that I started seeing physiological changes in patients whenever the heart music was going on. See, normally with hemodialysis you're taking fluid off because their kidneys don't work. So you do see blood pressures drop and you see heart rates go slow down and oxygen saturation go up. But what I was starting to observe was much more profound than on the same patient, with music very different than without. So I began to recognize that there was something else physiologically going on when the music was happening. And that kind of led me to. One morning I was reading in Scripture about 1 Samuel, chapter 16, when it says that the king Saul had a troubling spirit that would be upon him and one of his helpers thought, you know, we should go get David to bring his harp in here and play and try to settle him down a little bit. And it records that when David played, the troubling spirit left and I thought you know that must be what I'm related to, what I'm seeing with my patients here. I mean, they would go, patients that never slept would just go to sleep and pain medicine that wasn't working would start working. And there was just very profound differences. And so I decided in 2006, we were headed over to Israel for the Feast of Tabernacle and I thought, you know, while I'm there I'm going to talk with rabbis and archaeologists and musicians and anybody that will talk to me with any ideas and see, does anybody know what David's music would have sounded like? Because, after all, the Book of Psalms is a songbook, right? So the short answer was no. Nobody had found any sheet music in the archaeological dig, so that was out. But I did talk with. So that was out.

Steve Rees:

But I did talk with Mika Harari. He makes a small 22 string harp in Jerusalem and he had made a harp in which he took there's 22 letters in the Hebrew alphabet and he had taken one letter and carved it at the base of each string and his idea was that if somebody didn't know, and he had taken one letter and carved it at the base of each string and his idea was that if somebody didn't know any music or anything, they could still take one of those harps and go to the Hebrew text of the psalm and actually play the psalm by going letter to note, letter to note, letter to note, like that. And I thought, you know, that might be something that we could take that idea and run with. And so when I came home, I thought you know, if there was a relationship, hebrew is a very interesting language anyway, because it's a pictographic language and every letter is a number as well as being a letter, as well as the concept behind the picture, and I thought, you know, maybe there is something to the idea that every letter has a note as well. So maybe that's the music kind of hidden in the psalms, you know. So, um, so I took the middle of the, the um notes, the, the musical notes, and brought it across to the middle of the alphabet and then went up and down from there and started transcribing on the basis of those relationships, and I first of all tried playing that, just as note to note, to note to note, and that didn't really make musical sense. Music has a pattern to it and so if it's just chaotic, then it doesn't make sense. It could be interesting. In fact, there's one fellow that has a website that does that. Well, actually he's passed away, but they've kept the website going.

Steve Rees:

Music of God, I think, is what it's called. And I don't want to say that what they did was not good or anything. It's just I think they hadn't got the whole picture yet, because what I was trying to do sounded exactly like that and I'm going okay, I think I'm missing something. So I was praying about it. I said, ah, but I just know that there must. I think there's something you want to reveal here, and so I got the idea of don't look at just every note, but take all of the notes that are in a word and put those together in a chord, and so when you go word to word to word. You have chord to chord to chord, which is really how music works, what we call chord progression. And so when you're most worship leaders, when they have the words of the song there in front of them, they also have the chords written above those words, so it tells you when to switch those chords to stay in tune with the song. So that's what I started working on and my Psalm 23 was the first one I did and interestingly enough, I think even today it's probably the one I get the most hits on on my YouTube channel Because it just has. It really draws people. I get so many comments on it. So that is what started the whole thing.

Steve Rees:

Then I was kind of fumbling around and searching through the internet and I ran across Leonard Horowitz and he had written a book called Biblical Codes for the Biological Apocalypse Big, big title. You can actually get it online. You can download it as a PDF. If you put the title in there or put Leonard Horowitz, it would come up under his name as well, and I think he still sells the book on his website. Anyway, in the book one of the chapters is written by Joseph Pulio. Dr Pulio says that he got a download from Jesus, I would say the Holy Spirit, and it took him to Numbers, chapter 7, in which there are numeric patterns, and I won't do the whole thing here, right, because it would take a lot of time.

Steve Rees:

I actually just posted a video a couple weeks ago that gives the whole every detail of, step by step by step, how it all works. So I won't repeat because that's already out there. So if you want to go to my YouTube, it's Calming Heart Ministry, or it also was originally came under Peregrinati, which is our ministry name P-E-R-E-G-R-I-N-N-A-T-T-I. But if you're on YouTube and you write in Steve Rees-Harp, it'll come up. So there's a lot of ways you can get to it, but anyway, so I have that up there. So if anybody's interested in the process, that's available.

Steve Rees:

Just to put it short, every psalm has four progressions that you can pull out by doing this process, and so when you start playing through those chord progressions, you can start to hear what I call musical phrasing. It's like first chorus, maybe a bridge. You start to see those patterns so you can pull those out and make your compositions out of that. People ask me okay, you've got the chords, where do you get the timing? Where do you get how loud or how soft, how fast, how slow, all of those interpretations of music. And so what I do then is I go to the psalm and read the words of the psalm and then try to think about what is David? There's more psalmists than David.

Steve Rees:

There's actually quite several other authors in the psalms, but what were the author, what is the mood of what they're trying to portray? And just to give you an example, psalm 91, they that dwell in the secret place of the Most High shall abide in the shadow of the Almighty. And you know, a thousand may fall at your side and 10,000 at your right hand, but it will not come nigh you. And because you're in this secret place, so that to me is saying intimacy, it's saying in this very close place. And so I used a three, four timing like a waltz for the timing on that, and I made it slow so that the words could could sink in. And it's actually one of the few ones.

Steve Rees:

I actually have written the words into the music as well. I usually just do the music. I actually have written the words into the music as well. I usually just do the music and I let other people worry about the words or just read the psalms. When I play the music or something, and actually when I am doing a concert and I'm doing, say, psalm 121, I'll just say you know, if you want to read along while I play, you know you're welcome to do that and many people do, and I get lots of comments on well, I've never seen that song that way before. There was something happening because the music was going on as well. And so I think there's this direct relationship. Am I playing exactly what David played? I can't claim that I want to be one of the first people to sit down with him and hear his version, but I do think there's a relationship. I do think that. And so, just to go into the frequency, I'm talking a lot but I'm trying to get it all in here.

Holly Mullen:

No, that's okay.

Steve Rees:

When we go to those notes that we find out in Numbers chapter 7, each note is a frequency, so frequency just tells us how fast it vibrates per second. How many vibrations per second? So one of those frequencies that comes out of the Numbers chapter 7 pattern there is 528 hertz. So so that would be 528 times a second that it's vibrating. The bigger the number, the higher the note. This, the lower the number, this, the smaller the number, the lower the note. Our human ear can only pick up between 20 hertz and about 220,000 hertz. So our, our sound ranges in that. You know there's, there's higher sounds, like if you have a pet dog, you can have a dog whistle that you would not hear, but they'll hear it because they have a higher frequency. And then the blue whale. They have a sound that they hear, but we don't hear it because it's so low. And there's even a sound that the earth makes, called the Schumann frequency, that we don't hear, but it's still going on nonetheless.

Holly Mullen:

That's the one that's really popular with grounding and stuff like that.

Steve Rees:

Yeah, exactly, exactly, yeah. So frequencies are all around us. But I did a study on Matsuro Emoto, e-m-o-t-o, and he wrote a book called the Miracle of Water.

Steve Rees:

And in that you may be familiar with it. He took different water samples from different places and he would freeze them up so you get like the snowflake pattern, and he would have that on a slide and he could take a picture of it with the microscope. And he would have that on a slide and he could take a picture of it with the microscope. And what he found was he took like sewer water and froze it and it was all deformed. And then he would take that same water and put 528 frequency through it and it would come out like a perfect snowflake after it had been exposed to the 528 frequency. Well, that got my attention because our bodies are like 75, 80% water, so if our water is in trouble needs to be reformed, then 528 is. If it does it into the microscope, I think it's gonna be doing it in real life, and so that's why I think the 528 frequency is so important, and so the other frequencies I think are important as well.

Steve Rees:

Sure, my wife and I did another study where. What is that? Anyway, did you hear that boing?

Holly Mullen:

I didn't know.

Steve Rees:

I don't know. I didn't know if it was my computer or not. Anyway, the Numbers, chapter 7 is interesting because the first 11 verses are saying that Moses just finished setting up the tabernacle. And the tabernacle is all about providing a protocol to come back into the presence of God, because the Shekinah presence was dwelling on the Ark of the Covenant and every step of the way was a piece of furniture that represented something that was happening spiritually to get into his presence.

Steve Rees:

So Shirley one morning said hey, you know there's six notes, right. And I said, yeah, she said there's also six pieces of furniture. Do you think there's a relationship? And I thought, oh, she said there's also six pieces of furniture. Do you think there's a relationship? And I thought, oh, that's interesting. So about 15 minutes later she came back and said you know that thing you do with the psalms of getting the chord progressions out of there in the music. What do you think would happen if you took the description of each piece of furniture and did the chord progressions of them? And I said that's an interesting idea, let me get on it. So it took me several days to get it done and the amazing thing happened was normally when I'm doing a psalm. There's a fairly even distribution of chords. They come in different places and different arrangements but there's about the same number of C chords, g chords, f chords, d chords like that, d chords like that. Well, with each of these pieces of furniture, each one was skewed towards one of those notes, one of those frequencies.

Steve Rees:

And the interesting thing was that the brazen altar, which would be the first thing that you would come to as you're entering into this whole worship complex, I call it. It was the lowest frequency, the 396 frequency. The next thing you would come to would be the laver, which was for washing off all of the stuff that you got from the sacrifice, so that before you would go on into the holy place, and that's the next frequency, which was 417. The next thing you would come on into the holy place, and that's the next frequency, which was 417. The next thing you would come to is the menorah, which is the light, and that's the 528 frequency, which is, you know, jesus called himself Yod-Heh-Vav-Heh. Oh, by the way, when you do Yod-Heh-Vav-Heh, the, the tetragrammaton, that gives you the c chord, which is the 528 frequency. Also, um, the rainbow is 528 frequency.

Steve Rees:

Yeshua said I am the light of the world. Yahweh, in the very beginning, first chapter of genesis, said um, let there be light, and I think he's saying it in 528 frequency, I don't think he just said it um, and and so light of the world, the water of life. Yeshua said he's the water of life. So there's all of these, there's all these amazing connections that take begin, begin to fall in place here, and so there's the 528, the menorah, and then there's the 639, which is the table of showbread, which is all about fellowship, and then the incense altar, before you go into the most holy place, is the 741 frequency, and then the highest frequency, where the Shekinah presence is, is the 852 frequency. And so there's actually this ascending, this audible ascending that's taking place as you wind your way through the tabernacle in this act of worship.

Steve Rees:

And shirley actually wrote a little book called the tabernacle prayer frequencies of power, I think it's the name of it. And, um, she lines out a worship journey through the tabernacle based on those frequencies, and I think it's pretty important to realize that. You know, it sounds like that. Well, that's this ancient thing that doesn't have anything to do with us today. But remember, paul said what? Don't you know? That you are the temple. There's no temple now, but we are the temple. You know, our bodies are the temple.

Steve Rees:

And like I was just pointing out, the water in us is being affected by that 528. And so this has a whole lot to do, I believe, with us being the temple and continuing to have this protocol of coming into our Father's presence. We're told to come boldly before the throne of grace, so I think it has everything to do with this worship experience. That that's what these frequencies are about. So why is that so important in a secular world? Why is that so important to anybody just walking around in the street and then you know the average street doing the average task every average day? I think because it's retuning us back to our original design.

Holly Mullen:

Our.

Steve Rees:

Heavenly Father designed us. Psalm 139, he says when we were in darkness in our mother's womb. He was knitting us together. He had an idea of what he wanted us to be and do, and he was putting that in us as we were being formed, so that when we came forth we would be equipped to do that very design. And so, like my harp if I was to go hit it now and it's been a couple of days since I played it, so I'm probably going to have to tune it so I think we come out of tune as well, and so, in order to be in optimum health, we're going to need to come back to tune, and I think it's important to use his tune, not the world's tune tune, not the world's tune.

Holly Mullen:

The night before I heard the first podcast with you on, I was actually at a worship concert and in the middle of the concert they did a little sermon where they said almost exactly that in a different way, but basically it was. They put the instruments out of tune and use the analogy that when we're in the world, it's like we're walking around in sewer water.

Holly Mullen:

And that's why we are told to renew our minds daily. We need our daily bread so that we can get back in tune. And so that is what, like, really stuck out to me because, like I just heard this out to me, because like I just heard this, and then here you are saying that I love how this all started because, yes, you were playing for your patients, but it was revealed to you through scripture during your time in the word. And I think it's so incredible how scripture has that unique ability to reveal new insights to us for whatever season we're walking through in life, and God is always meeting us exactly where we are through his word.

Steve Rees:

And then we have the Holy Spirit. We have the Holy Spirit as well, because when Jesus or Yeshua is Hebrew name when he was leaving, he said it's important that I leave now because, as I leave, I'm going to give you the comforter or the Holy Spirit, ruach HaKodesh, and he will guide you into all truth. And so there's a lot of things that we're going to miss on our own brains, but if we're being impressed by the Holy Spirit, then he's going to lead us into these different. You know, and I tell people, this is not my music, this is his music. He's just revealing it to me. It's not.

Steve Rees:

I'm not clever enough to figure this out, but you know there's been people. He brought people into my life like Leonard and Joseph, but he also has brought other people, have brought other people, and you know, I have a on my website, calmingheartcom. I have a collaborate page because I think it's important. I'm not getting everything. I think there's that if I share what I know, there's gonna be other people, they're gonna take that and they're gonna move it forward into a place that I would never have taken it, you know. So I think collaboration is really important as well.

Holly Mullen:

Yeah, or cross-fertilization, or whatever you want to call it, well, just as you mentioned that other website that you found, where they were not quite there and you were able to build upon that. What is maybe like the most moving or memorable experience or testimony that you've witnessed or heard about, like in response to your music? I'm sure there's a lot to choose from.

Steve Rees:

Well, first of all, the notes I get every day on my YouTube is just always astounding to me. But I'll give you a couple. One day I was just finishing up dialysis. I had my harp that day and the CEO of the hospital came running in the room and she said did you bring your harp today? And I said, yeah, it's right over there. And she said are you finished? And I said well, about 15 minutes I'll be finished cleaning up. She said oh. She said as soon as you're done, come down to the emergency room. It is crazy chaos down there. Kids are climbing the wall. It's crazy. So I finished up, brought the harp down and it was crazy. It was really crazy. So I went over to a corner, sat down and I started playing the harp.

Holly Mullen:

Within 15 minutes.

Steve Rees:

It was just calm down and the effect of the music was just. And another one very similar to that. We do nursing homes quite a bit and we were doing a program. My wife does storytelling, so we do what we call harp and story. So she's doing a story that she's memorized out of scripture that she writes and then she memorizes it and starts dramatizing it and I play the harp behind to reflect the mood of the drama.

Steve Rees:

So we were doing that in a nursing home and they came and said could you come into our, our lockdown alzheimer unit, memory care unit? And uh said sure, yeah. So when they opened the door, walked in and there was just screaming and running around and all kinds of stuff going on, and uh, so I started playing once again about 15 minutes, everything. Just when this lady had been running around screaming, started just dancing really slowly down the halls, humming a little tune, you know, and I was there about an hour and then we had another appointment to get off to and so I said, and they said, oh, you can't leave, it's so good right now. I said, well, here, I'll leave you a couple of CDs. And you know, they wrote me a couple weeks later and they, they said you will not believe the difference in our unit, now that we're using your music in the background. I have it used in birthing centers, um, massage therapists, all kinds of people are using it as background and they continually say what a difference it makes. Just it just has that calming effect that just people say that they couldn't sleep. They're now sleeping, you know. They don't need medicine anymore.

Steve Rees:

There's tons of scientific studies out about it. You know there's a study out of I think it's Kaiser Hospital, where they had a unit working with crack babies, had a unit working with crack babies and the standard approach was to give them valium to calm them down because they're constantly, you know, on edge, because their nervous system is shot, you know. And so, um, so one of them got the idea of well, how about we use calming music and put that on, and that started working. And it was working. They didn't need to use near the amount of valium that they were using and you think of valium for a little baby, but my goodness, you know, so anyway, um, so what they ended up doing was they actually rigged up a pacifier to the baby to, uh, if the baby started sucking on it hard, it would turn the music on, and so the babies would start self-medicating with music. And you know, it's just like. It's such a simple thing, you know.

Steve Rees:

And I did another study where they were doing pre-ops for patients coming into surgery and they said you can either take the pre-op medication or you can listen to music, music and see which one works better. What they discovered was the music was just as effective, if not more, than, the medication. So my question is why would you use the medication at all if the music is shown itself to be so effective? Oh, you got your cat. And well, speaking of which, I have people tell me all the time they have their dog go sleep by the speaker, because as soon as they put the music on, the dog goes. Oh, there's my.

Holly Mullen:

So I've been playing your channel in the house, so I'll pay attention to animals.

Steve Rees:

another lady told me that she milks her. She plays the music while she's milking her goats, so they don't kick the bucket over. And then another lady said she runs a health dog's pooch spa up in Ohio, I think somewhere, and she said she plays the music. And so one of the days one of her clients picked up their puppy dog and as they were leaving they said what is it you're doing to our dog? They're so calm. When we come and get them you know, at other places we've taken them they're just all hyper and they don't want to be there and everything. But here they just come back so calm. And then they found out that she was playing the music in the background and it seemed to have this amazing effect even on animals, so which you know, they have the water too, so why not?

Holly Mullen:

so what have you noticed for yourself? You witness all these things for other people and with animals. You're playing your own music all the time. Have you noticed anything? Any changes within you or your environment?

Steve Rees:

Oh, I just noticed, if I don't play for a period of time, I got to get back. It's like I'm driven back, you know. So there's this void that I have to fill. So, yeah, it's my wife all the time. She says you need to play more. So you know, you get busy with life and all that, but yeah, yeah, so you know you get busy.

Holly Mullen:

We're warned so often of this mysticism, but everything that I've been learning it's in alignment with what you're saying and how everything just points back to God. And so how, like what would be your advice, I guess, for someone who is skeptical, who wants to explore this but to maybe learn but also have some a way to discern what's from God and what's?

Steve Rees:

not Right, yeah. And so one of the statements I make quite frequently answering that question, and that is if, if what you're engaged in is placing an emphasis on the created you, the bodies, the other people, the, the stuff that, the phenomena, that's where you got to watch out. But if it's putting the emphasis on the Creator, our Heavenly Father, and what he has amazingly made, and all of the amazing things, like the mathematics behind it all and the golden mean and all of these things that can't possibly be in place without there being a designer and we know that designer is our Creator that's where we need to put our time is in acknowledging our creator and giving him glory. If we're acknowledging the phenomena and the and the you know, just the stuff and that's where we're putting our emphasis and we're leaving our creator behind in the dust, that's where it gets dangerous yeah and so that's that's my dividing line.

Steve Rees:

Is creator created? That's, that's the simple, the simple way I.

Holly Mullen:

I like the way you explain how when god spoke creation, you think it was more of a song and that just kind of made me think. The way he does anything is the way he does everything. So if he's imprinting his frequency onto the world, it would make sense that he is also imprinting his frequency onto other aspects of the world. So I guess we always have the truth of the Word to go back on to test.

Steve Rees:

So think about this too. You know, let's look on the darker side of things. If there is an enemy out there and I believe there is that wants us to suffer, that wants us to not have health, then wouldn't that enemy want to obscure what our Heavenly Father put in place, want to take what our Heavenly Father put in place and try to make it look like something else? And just, you know, I don't want to come against any people or anything, but we have this thing called the rainbow flag. That is directly against what our Heavenly Father created, the order that he created things for, and if we look at the original rainbow, it is to remind us that we have a covenant with our Creator. And so you can see right there how the enemy has taken it one direction, and our Heavenly Father made it for you know, put it in place for a whole different direction. And so I think the frequencies are the same thing and that come in that same line. Made it for, you know, put it in place for a whole different direction. And so I think this, I think the frequencies are the same thing in that come in that same line, that, um, they're exactly what he made for our benefit. But the enemy knows that and so he's going to take it and obscure it with this new age philosophy and and all these other things. Get people. You know, the original lie in the garden was you will be like god, you know, and so if we have, you know. So what do the new age people do? Oh, we're gonna, you know, we're gonna all gather into this cosmic consciousness and we'll all be part of this one energy source. And you know well that energy source has a name, and his name is yod hey vave. Yeah. So yeah, which you know I. It's amazing, um, I don't know if you got the one that I did.

Steve Rees:

I was asked to do a speech at a convention down in palm beach, florida, and the guy that approached me said we're doing a, the. The subject is the combination of science and health, and what you're doing with the music is on the scientific side. We'd like to hear what you have to say about that. Well, I accepted the invitation and then, about a week before, they put out the bulletin about who the other speakers were and everything, and I realized that I was right in the middle of a new age convention here. I was one of the speakers and I'm going Father, am I supposed to be doing this? And I just got this real solid assurance that I was supposed to be. He put me there. The interesting thing is that I was the first speaker. For the whole weekend I was speaker number one. Whole weekend I was speaker number one.

Steve Rees:

And so when I got up, I said I just told people. I said you're going to hear a lot about energies and cosmic consciousness and all these other things that are very common among these practitioners that you're going to be hearing from. But I want to tell you that that energy has a name, and his name is our Heavenly Father Yod-Heh-Bav-Heh. And what I'm going to show you tonight is going to identify him as our creator, and the things that we're going to talk about frequencies and things are going to show how amazing his creation is. And I'm here. I said none of you are here by accident. There's a reason why you're here. There's over 2000 people there and he said there, each one of you was made for a specific purpose. I quoted out of Psalm 139. And then I quoted out of Esther and each one of you are brought to the kingdom for such a time as this. You are not here tonight by accident. You're going to hear something that's going to be important for your life.

Steve Rees:

And then I went into some of the. I only had an hour. I started to go into some of the scientific studies and things to show the effects of music. But I looked down at my timer and I had five minutes left. I looked down at my timer and I had five minutes left. I said, well, if any of you want any of these, I've got a list. I can give them to you. Email me and I'll be glad to send them to you. But there's one thing I want to do before we finish. I said I took Psalm and I showed him the music out of the Psalms and I said I want to take Psalm 91. I'm going to put the words up and I'm going to invite you to sing it along with me. And so I started in singing and I was amazed. It was like a choir going on. They really joined in.

Steve Rees:

Afterwards, out in the hallway, my wife had a table set up for our CDs and I mean there's all kinds of other stuff. You know there's chakra readings and all these other things going on. But we were up, we were there till about midnight answering people's questions. People, a lot of people said you know, I I've always known there was something to these, to the frequency understanding, but I was always leery because of where it's been taken and who owns it.

Steve Rees:

And what you just said tonight has put me at ease about there is a place for it, there's an understanding that we can be safe with, and so I know that I was there for a reason, for a reason, and I think we have to remember that there is this constant battle, if you please, between what the enemy wants to obscure and what our Heavenly Father wants to give, what his design is, and the enemy doesn't like his design, and the enemy wants to obscure his design and the enemy wants to take his design and do something else, you know. And so if we can keep that in mind, I think, then we can be, we can move forward in studying these things and feel safe about it. And you know, the final arbiter is the Holy Spirit. You know, continue to be in prayer about it, continue to ask, holy Spirit, make sure. You know James it says if you lack wisdom, ask me and I will give it. I won't hold it back, so we can ask for that wisdom. So what?

Holly Mullen:

what's so beautiful about what you just said? There is it. It reminds me that for the most part, when I meet people, whether they believe in God or multiple gods or anything, they will agree to having a spiritual necessarily don't like is the religion, the religion aspect of being connected to.

Holly Mullen:

I don't even like the religion no the bible and you take church and you take religion out of it and you just have the word and you have that connection and exactly that intimacy. That is where, like, so we can, we just can draw so much peace and understanding and trust and, um, something else that I was thinking as you're speaking.

Holly Mullen:

It's like as you're speaking to this room full of people who are there wanting to learn about different modalities and levels of healing. Jesus doesn't call us to pray for the sick. He calls us to heal the sick, and I believe that that is what you are doing through your ministry and through your music and through your work. That is what you are doing through your ministry and through your music and through your work. Do you feel that you? Do you see your work as a fulfillment of your purpose or calling?

Steve Rees:

no-transcript. When I was in high school. If I had been told to write down the 100 things I wanted to do with my life, this wouldn't have been on that list. I wouldn't have had an idea at all that this is where I would be ending up.

Steve Rees:

Even as a registered nurse, you know, I felt that I was really helping people, but at the same time I also could see that it was very what would you say temporary.

Steve Rees:

You know you give them a pill and hope that's going to work for the next five hours, and so I tell people all the time. I said I've converted from being a drug pusher into being a healer, because I really feel like I'm doing more for healing now than I was doing as a registered nurse. And that may sound kind of funny to some people because you know, a lot of people put a lot of stock in the medical system, but I really think that our Heavenly Father has a much more holistic approach to health than the medical system. And you know I don't want to be the big baddie on the medical system and doctors and nurses and things, but I do think that there's so much more that we can learn just like you're doing with nutrition and other practitioners that are in other areas that are much more holistically focused than on the allopathic.

Steve Rees:

Here's the drug boom, you know that should take care of it. No, we need to be. We need to. I just think we need to find ways that we're out of step with our creation and learn how to come back into step with what the design is, because that's really where the health is going to be with what the design is, because that's really where the health is going to be.

Holly Mullen:

Yeah, I've started stepping away from the one-on-one health coaching after years, because it's not a protocol that's going to fix you, it's not one certain diet, it's not one anything. And I've seen the biggest shift in people is really just coming to a peace with themselves and their bodies and understanding that their body is not fighting against them and it's not attacking itself. It's that something is out of alignment and out of balance and people make so much more progress when they stop stressing about all the things that they have to do and check all the boxes that they need to do for wellness and just focus on being and take that stress out of it.

Holly Mullen:

Um, but something that I kind of wrestle with myself is we are given nutrition and we are given supplements and we do have modern medicine, and when we, when God tells us we are healed, not to pray to be healed, but we are healed and we need to accept that healing and having that wrapped around in my mind, like yes, I am healed, but also I need to eat right and take my vitamins, and like reconciling the two, I guess maybe it's caring for the temple and also believing that the temple is healed.

Steve Rees:

Right, yeah, yeah, I mean we struggle that with a lot. You know, as I'm advancing in age, I have more and more of my friends that are getting into health issues and um, and we pray for them and we claim those promises and one of the things that I used to used to um utilize, even when I was doing dialysis, because a lot of my patients were in the intensive care unit, they were on death's doorstep and we were doing last minute let's try this kind of approach I would be talking with their families about, because here they are, they're struggling with how is that? First of all, how does this happen? How did we get in this position? And now, what do we do about it?

Steve Rees:

And then there's this foreboding that this is the end, this is it, and I used to go through this little mental challenge. I said, you know, let's just do a little idea of if you had all the wealth that you needed, you could do whatever you wanted. You could have the nicest cars, do the nicest homes, you could do everything you wanted, you could travel whatever. And at one moment our Heavenly Father tapped you on the shoulder and said I want you to come home with me. Would you go In the middle of those circumstances that are perfect, would you go? And some people had to stop and think about it after a little bit, but usually the answer came back well, his kingdom is better than this kingdom. Yeah, it'd be better. Yeah, okay, I'd go. And then I? Then I would say, okay, here's your loved one.

Steve Rees:

Those things are not true for them. They, they are their health, they don't have their health. Their finances are probably in a shambles by now because of all of these hospital bills. They can't travel, all of these things that are so people think are so important. And now the heavenly, our heavenly father, is tapping them on the shoulder and saying I want you to come home. So the real question is not so much for them because probably for them it's like yeah, I'm ready, I'm tired of this pain and everything the real question is for you are you willing to let them go? Because that's really the hard part. But if you can picture in your mind where you're letting them go to, that's probably going to make it a lot easier for you to let them go.

Steve Rees:

And you know, I remember this old song by I think it was wayne watson. It is um home free. The ultimate healing is to be home, free. It's out in the quarter we pray for life a husband, a mother for her baby, a husband for his wife. Sometimes the good die young. It's sad but true. But the ultimate healing is to be here, and it's got to be now and it's got to be get back to life as usual.

Steve Rees:

But the reality is is that maybe the best healing is not that, but to go on to be with him. And so sometimes I think maybe our understanding of healing is not so good that we need to adjust our understanding of what healing is really all about, because if we're in relationship with our Heavenly Father, then this time slot that we're in right now is such a brief moment in the all of eternity that healing now becomes less and less important. As healing, all healing, then and I think that's something that we need to get a little bit better grasp of when we're dealing with these situations of you know this is dis-ease, it's not ease, it's dis-ease. You know disease, it's not where we're supposed to be.

Steve Rees:

But you know what I tell people? This is an earth suit. This isn't me. Me is in here, me is the relationship with my Heavenly Father, and that doesn't stop. That's an eternal thing. I remember Oswald Chambers. He says eternity is not about now, it's not about time, eternity is about a relationship. And that's really I think we need to be much more focused in that direction than we do with the, you know, wanting to get things back to normal, what we call normal, because the real normal another Oswald Chambers it's the capital R reality, not the little r reality. We're always concerned about the little r reality when our Heavenly Father's with he's concerned about the capital, our reality.

Holly Mullen:

Yes, yes. And then you say disease and dis-ease and that reminds me of his yoke is easy, and so the ultimate goal is to rest easy in his presence. So, that like that.

Steve Rees:

Yeah, you take a look at Job here. He is in the most terrible condition medically speaking, and yet he says I know who my redeemer lives and I'm persuaded that he's able to keep that which I've committed unto him against that day. And I will see him with these eyes and not another. You know. So he was at ease. He was at dis-ease in the world, but he was at ease in his spirit.

Steve Rees:

so yeah a lot of people tell me with um, with the music. Getting back to the music, I have a lot of people cancer patients that are using my music to help control their pain thresholds, um, and a lot of people tell me that the music was the last thing they were listening to before they passed and that it made their passing so much easier. I used it with my mother when she passed. She was on hospice and I was by her bedside playing the harp a lot and it just calmed her down and when she passed it was a very peaceful passing and so it's not just healing is so much more than we talk about, than we expect, and I think we need to really consider the whole understanding of what wholeness is.

Holly Mullen:

Yeah, so I want to be respectful of your time and wrap it up, but I do have a couple more questions. So the way the music and frequencies can impact our bodies, I'm assuming it could be the same for the space and the environments around us.

Steve Rees:

Yeah, I think so. The space and the environments around us? Yeah, I think so. Um, certainly anything that has dna coding in it. Um, but even the rocks are going to cry out, we're told. So I you know. I don't know how all that works, but, um, we do know plants respond to music. There's been scientific experiments on that that demonstrate that. I just wrote an article. I write an article every month for Masters of Health magazine, and the article that just published last week was about how they've learned to take the DNA. What do you call that? The base connectors on your A, g, c connectors on your ladder of the DNA, and each of the compounds is given a musical note and then they play that sequence of those. They play musically, and actually it helps them find coding discrepancies when geneticists are working with it. So there's even music in our DNA and that to me was like whoa.

Steve Rees:

You know. One more reason to know that our Heavenly Father had an incredible design when he was putting all this together.

Holly Mullen:

Yes, absolutely yeah. I think I was reading something about that. The 528 hertz yeah, they use for helping repair dna stress yes, yes, yeah. So I mean, there's got to be something to that there well, it's part of the design.

Steve Rees:

It's, uh, yeah, I just, if you think about it, um, an art. Let's say, a sculptor makes a sculpture and they always sign the work right, because they want to make sure that whoever looks at it and appreciates it knows who did it. Same thing with a painting or a musical. All of that is all signed. Every creator signs their work. Well, if you think about it, our Heavenly Father signs His creation audibly with 528 frequency. Instead of having a pen and signing Yod-Heh-Vav-Heh or whatever, he signs it with 528 frequency so that it's embedded everywhere throughout His creation. Just an interesting thought. Creation, just an interesting thought.

Holly Mullen:

I once heard someone say who is I think she was a doc she's a doctor and she's very into science. She was agnostic and she was like but the more, the deeper you get into science, trying to prove that there's no God, everything science the more it just points back to there has to be a God.

Steve Rees:

Yeah, I have a talk that I did several times, called our big, big god, and I have a little recording of machio kaku. He's a one of the physicists that's working on the string theory of how everything works, and he says I'm not, I don't believe in the God of Abraham, isaac and Jacob, but somebody's delivering package. But I will tell you, if you want to know the mind of God, then you have to think mathematics, because everything is mathematics. And he even went to another place. There's a YouTube about it. He went toe-to-toe with Richard Dawkins, who is totally atheistic, and the whole discussion was about. You have to admit, there's at least a design. This can't have just come together by chance. There's too much pattern in here to believe that it just happened. And so then, as soon as you believe that there's a design in there, well then there ultimately has to be a designer. Okay, I don't know who that designer is, I don't know what to call them, but there is a designer behind the design at least, just like you were just saying.

Holly Mullen:

yeah, and so you know, they're just too proud to give them a name, that's all yeah, yeah, well, I think maybe another episode we can probably go into how you talk about how, like, the hebrew language is all symbols, the language of god is all math, and how that's been twisted now for these secret societies with symbols and numbers, and that's a whole other rabbit hole.

Steve Rees:

Oh, it is. You know that's and that's the enemy. He wants to take the truth and put the twist in it. That's, that's his game, wow.

Holly Mullen:

All right. Well, this podcast it's the whole theme of it is just about stories of renewal and transformation. So what does transformation mean to you? Well, podcast, it's, the whole theme of it is just about stories of renewal and transformation. So what does transformation mean to you?

Steve Rees:

well, to me, transformation is, I think, probably. Well, I mean, you could think of the um, you know, transform as the movie. There's a car and then all of a sudden becomes this, you know. So there, it's something that the function changes based on a certain set of circumstances and design. But spiritually speaking, I think transformation it's um, let you know, it's like paul said, let this mind be in you, which was also in Yeshua Hamashiach, christ Jesus, because if we are spiritually connected, then we're going to think differently, we're going to act differently, and to me that's what transformation is all about.

Steve Rees:

If you want to transform and just become a super person, that's just another person, but you have no spiritual connection, well, to me, that's kind of a wasted effort.

Steve Rees:

But if you're going to transform from a secular world just looking at a brand new person, to walking forward into understanding the bigger picture, that there is a design and a designer, that there is a way that seems right to a man but the end is destruction, but there's another way that leads to life, then that's transformation.

Steve Rees:

We're told that there's a wide gate that leads to destruction, and many be there that find it. And then there's a wide gate that leads to destruction and many be there that find it. And then there's a narrow gate that is steep and rough but it leads to life. And transformation, to me, is turning your back on that broad path and focusing on that narrow path so that you understand that this world is not about you, it's not about stuff, it's about our creator, it's about a relationship with our savior, it's about um, and then, once we have that understanding, it's about making ourself available for his enterprises, through, to work, through us, to those around us and um. So that's a whole nother. It's going to be a whole different life if you, if you choose that route.

Holly Mullen:

So yeah but that's transformation is becoming a new creation yeah, yeah, yeah exactly all right. Well, um, as we wrap up this episode today, was there anything else you wanted to touch on that I didn't ask on, or that you feel that you need?

Steve Rees:

to get out there. It probably is going to need another episode, so that's fine, okay, I don't mind that.

Holly Mullen:

I would say this has truly been inspiring, just to hear your story and to hear about how healing frequencies or just frequencies they're not just a modern discovery, but it's something that's timeless. It's something that is tied to biblical truth and that we can see it throughout history and music, and how sound has been used for worship and healing and deliverance, as the first story is what prompted you and it just reminds us, I think, that God's wisdom is woven into every aspect of creation.

Holly Mullen:

And the fact that science is now catching up to scripture is good, isn't that interesting? It's kind of confirming what the body already knows.

Steve Rees:

It's like we needed an excuse, but now science is giving an excuse.

Holly Mullen:

Exactly, exactly. Well, I think I have enjoyed this conversation very much. How can my listeners support you learn more?

Steve Rees:

I will put your website links that you've mentioned in the show notes, but anything specific that we can do to support you in your work oh, we, at the um bottom of my youtube page and the website both there is a donate button so that you can do that and, um, or I think my home home address is on there too, if you just have to do it. I process through PayPal, so some people don't like PayPal, so you can just mail a check or money order to our home address as well.

Holly Mullen:

The old-fashioned way.

Steve Rees:

The old-fashioned way. Yeah, and yeah, I do a podcast every Saturday morning. I call it Shabbat, so it's a half hour, and my wife and I usually are both on that. We take one of the Psalms and we take some of the ideas from it and compare it to what we're seeing in the world around us and what wisdom is there in the Psalm thatm that helps us deal with, with what's happening today, and so that's something that we offer through the youtube channel. You'll see it posted there, and so we just you know, I try to keep more music coming and actually have another a gal up in skodiak island, linda kozak, who's an incredible photographer and she's taking some of my music and putting it with some of her photography, and we're posting some of those videos up as well I think I had one on this morning and my son was getting ready for school and he was just mesmerized like watching the photos go by the bears in it.

Holly Mullen:

I don't remember what he was looking at.

Steve Rees:

Yeah, so anyway, but yeah anyway. So there's lots of different things. And then, steve at calmingheartcom, if you want to write me an email and have any questions, I'll be glad to try to answer it.

Holly Mullen:

And yeah, Okay, well, I will include all of those. Thank you again, Listeners. I hope this conversation encourages you to explore the healing powers of sound and maybe even invites you to explore a deeper awareness of how God's voice is always present.

Steve Rees:

So thank you for joining us.

Holly Mullen:

See you next time.

Steve Rees:

All right, be blessed.

People on this episode

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Holly Jean Mullen

Host
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Leah Williamson

Co-host